2022 SBL Diary: Part Two
My third day in Denver began early with a pilgrimage (of sorts) to Red Rocks Amphitheatre. To people of my age and musical interests, Red Rocks is famous as the recording site of U2’s career-breaking Under a Blood Red Sky EP and video. Plenty of other bands have played the venue also, some even willing to bring a larger show to this smaller theatre (aprox. 9500) just for the joy of playing in this stunning, and storied, location. I convinced two friends (and fellow U2 fans), Phil Harland and Bob Derrenbacker, to join me for the trek and we hailed an Uber to take us there. Once we arrived, we hauled our creaky bones up and down the flights of stairs, stood on the stage (if only I had brought an instrument; I could then say I played at Red Rocks!), and just soaked in the atmosphere. Bob even played a couple of U2 songs on his phone to capture the spirit of that seminal event. I think I even saw tears welling in Bob’s eyes. Quoting Nigel Tuffnell of Spinal Tap, I said, “It really puts perspective on things, though, doesn’t it?” On cue, Bob responded, “Too much. There’s too much fucking perspective now.”
With some Red Rocks merch in hand, we headed back to the conference centre for afternoon sessions. Jacob Lollar (Universität Regensburg) started the Apocryphal Acts session with “Canonizing Thekla: The Acts of Thekla and Her Legacy in the Syriac Tradition.” Lollar remarked that much work …